The play, “The Crucible,” was written by Arthur Miller and gives an intimate perspective towards the topic of witchcraft in the context of the Salem witch trials of 1692. Throughout the play, many individuals are accused of the crime of witchcraft. Often times, they were accused over very minor indications. This caused much upheaval, as more witches were taken into custody over such trifles. Some kept their sense of virtue and decided to tell the truth that they had not committed any atrocities. This did result in their untimely death; however, as the courts were biased to the accused, assuming that they were guilty if accused at all. Others decided to lie their way out of it, admitting to their alleged crimes, or by placing the blame on anyone else they could find. Those who lied then began to play the blame game. As one lie was told, often times, many more untruths were told as each person accused attempted to defend themselves. Among those who fit this description comes the insidious character known as Abigail Williams. Throughout the events of the play, Abigail appears largely to blame for the Salem witch trials since she is a liar, accuses more witches than anyone else, and is morally corrupt.
Witchcraft was treated as a serious crime in those days. Often times, accusations of witchcraft were fallacious and could result in being sentenced to a grievous death, namely through a public hanging. When Abigail is accused of witchcraft by Hale, she is led to resort to lies as her means of refuge. Her reaction when Hale asks if Tituba had enchanted her at all was this: “She made me do it! She made Betty do it!”(19) Considering that her life was at stake, one can not blame Abigail for taking the easy way out like she did. Yet, in this case, part of her argument is true. In a sense, she was not completely at fault, since Tituba was from Barbados, where some of the customs may have been different. Perhaps the populace danced in the woods and drank chicken blood at nighttime in Barbados. Yet, it is her inability to realize this that made Abigail’s words devoid of the truth. She jumps to conclusions rather than pure logic, which remains a habit until the very end of the play.
Abigail’s lies are also closely tied into her mannerisms. As the unfavorable topic of witchcraft is brought to attention, Abigail seems to be on her toes, readily accusing and implicating anyone to draw suspicion from herself. Of all the lies told by Abigail, her most outrageous ones are introduced during Mary Warren’s interrogation. In her first one, Abigail claims that Mary’s evil soul is freezing her over. Her second lie is concerned with an ostensible conversation she has with Mary’s spirit, which is as follows: “Oh, Mary, this is a black art to change your shape. No, I cannot, I cannot stop my mouth; it’s God’s work I do.”(115) Abigail is lying twice in that example. First of all, she is not exactly speaking with Mary’s spirit; she is merely attempting to draw attention from herself. Secondly, Abigail is certainly not doing God’s work, in fact, she is doing the opposite. Abigail should be telling the truth that she danced in the woods upon her own free will, yet, she lies and accuses instead. Such acts are the kinds of acts upon which God would frown. The truth will out; at least, it would in a perfect world.
Last but not least, Abigail is not doing God’s work, as she is morally corrupt on the inside. Towards the beginning of the play, when John Proctor enters for the first time, this sparks flirtatious sentiments within Abigail, flustering him greatly. Though he did have an affair with Abigail, Proctor held his marriage and faith on a high pedestal. Abigail then begins to act more fervently on her fleeting emotions, when she says this of Elizabeth, his wife: “She is blackening my name in the village! She is telling lies about me! She is a cold, sniveling woman, and you bend to her!”(24). Clearly, Abigail is trying to reunite with Proctor mainly by exploiting his wife. Again, she is resorting to her jealous disposition and decides to manipulate his wife anyways, thinking that she may be absorbed soon enough by the entire witchcraft issue. Unfortunately for Proctor, Abigail succeeds at this. At court, Mary Warren gives a doll to Elizabeth as a gift, which Abigail makes Mary stick a needle through. Abigail then uses her dinnertime at the Parris’ to stab her belly with a needle, the same place as on the doll, claiming that Elizabeth’s spirit had stabbed her. It is a pity how such minor and false evidence could be taken so far as to arrest Elizabeth. It was the hysteria of the time that led the courts to believe in such fiction. Later on, Abigail would fail, since her lies end up reaching Proctor, who then dies as the martyr of her cause.
Abigail is responsible for the uprisings of thought during the Salem witch trials. She is a corrupted character, who lies, accuses, and follows her corrupted mind to belittle others. Salem was a small, but pious town. The people of Salem went about, freely expressing their faith in God and why God was so good. Yet, these people had differing views about the issue of how God’s followers were seen on high. These conflicting concepts began the witch trials, which ended up corrupting the piety of this small town. As people were accused, they were led astray from their virtue, and were led to lie and cheat their way out of the situation. Often times, it was the grudges that the people held towards each other that were the biases of their accusations. Abigail was the most major advocate for this style of thought, as she fit this description more closely than any of the other characters in the play. Her false accusations lead to an entire cycle bent on selfishness and vengeance that repeats itself throughout the play. That is why Abigail Williams is largely to blame for the situation in Salem.
