Saturday, January 31, 2009

To Page 84

1.) grotesque - (adj.) odd or unnatural in shape, appearance, or character; fantastically ugly or absurd; bizarre (dictionary.com)

"The waving of crooked, false-jeweled fingers gave an added grotesqueness to the words" (65).

2.) prig - (n.) a person who displays or demands of others pointlessly precise conformity, fussiness about trivialities, or exaggerated propriety, esp. in a self-righteous or irritating manner (dictionary.com)

"As for the lives of one's neighbors, if one wishes to be a prig or a Puritan, one can flaunt one's moral views about them, but they are not one's concern" (82).
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1.) "Children begin by loving their parents; as they grow older they judge them; sometimes they forgive them" (70).

This quote relates the feelings of Sybil and James Vane towards their mother. Sybil feels that her mother does not entirely believe that her relationship with Sybil would do them much good in their time of debt. In the meantime, James sees his mother as too protecting. In the above quote, both James and Sybil are judging their mother. They grew up loving her since she took care of them, but now they are denouncing her for her protectiveness. Perhaps a similar thing could be occurring between Basil, Dorian, and Lord Henry. Basil and Lord Henry seem to both be very protective of Dorian, and perhaps the above quote is a foretaste of how their relation would play out to be.

2.) "I should fancy that the real tragedy of the poor is that they can afford nothing but self-denial. Beautiful sins, like beautiful things, are the privilege of the rich" (83).

This is another of Lord Henry's witty claims. He says that the problem with the poor is that they can not afford to commit wrongdoings, since they are already at a loss, which the rich can do whatever they want, since their money will serve as a cushion if they got into trouble. This comment is directed towards Dorian's relationship with Sybil. Dorian is rich, but Sybil is poor. Basil and Lord Henry feel that Dorian is making a mistake getting married to a poor girl. Yet, they reluctantly acknowledge his decision, because Dorian is rich. If he got into trouble, his money would save him. Yet, Basil and Henry can not realize this without being troubled; "The painter was silent and preoccupied" (84). Perhaps this is in correlation with the sexual undertones of Lord Henry and Basil towards Dorian, or perhaps it could even be jealousy.

Thursday, January 29, 2009

To Page 63

1.) myriad - (n.) a very great or indefinitely great number of persons or things (dictionary.com)

"I felt that this grey, monstrous London of ours, with its myriads of people, its sordid sinners, and its splendid sins, as you have phrased, must have something in store for me" (Wilde 52).

2.) vivisect - (v.) to dissect the living body of an animal (dictionary.com)

"And so he had begun by vivisecting himself, as he had ended by vivisecting others" (61).

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1.) "'Men marry because they are tired; women, because they are curious: both are disappointed'" (51).

In the quote, Lord Henry shares with Dorian the reasons why he believes that men and women fall in love. He says this quote after his wife leaves his house to eat out. That is ironic, because she left almost as soon as Lord Henry arrived, and without saying much at all. Chances are that could be in part of his attitude towards relationships, as he describes in the above quote. he says that being married to Victoria could be a mistake, and attempts to warn Dorian not to marry so soon, since he'd get tired of it. The reason why he might say this is because if Dorian wants to enjoy himself the most, he would have to be free so that he could do whatever he wanted without having a wife to get in his way and impede on his fun. Dorian does not take this advice very well, as he gets engaged to Sybil at the end of the chapter.

How might Dorian's choice to become engaged hurt him in the long run?

2.) "But you should not say the greatest romance of your life. You should say the first romance of your life" (53).

This is Lord Henry's response to Dorian's feelings towards his relationship to Sybil. Dorian called his relationship the greatest romance of his life. Yet, Lord Henry did not think so strongly of relationships as Dorian did. Again, this takes the course of the above quote. Lord Henry did not want Dorian to see himself with Sybil forever, since he could meet someone better later on, or she could impede on his own enjoyment. This is evidenced when Lord Henry said that he had dated many actresses, and found them to be rather drab. At the moment, it is unclear as to why Lord Henry cares to intervene in each of Dorian's affairs. What seems evident at times, however, is that Lord Henry and Basil seem to take homosexual undertones around Dorian. Perhaps that explains why Lord Henry and Basil care so much about Dorian's affairs, and why Lord Henry is unsatisfied with his marriage to his wife, Victoria.

How might Basil and Lord Henry respond to the news of Dorian's engagement?

Wednesday, January 28, 2009

To Page 47

1.) plaintive - (adj.) expressing sorrow or melancholy (dictionary.com)

"'But must we really see Chicago in order to be educated?' asked Mr. Erksine, plaintively." (Wilde 42)

2.) paradox - (n.) a statement or proposition that seems self-contradictory or absurd but in reality expresses a possible truth (dictionary.com)

"'Paradoxes are all very well in their way....' rejoined the Baronet." (43)

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1.) "'I can sympathize with everything, except suffering,' said Lord Henry, shrugging his shoulders" (43).

This relates to Lord Henry's general outlook on life. Overall, he promotes a hedonistic lifestyle. In the first two chapters, he tells Dorian Gray to live his life to the fullest while he is young and beautiful. In this passage, he denounces his aunt's philanthropic efforts. After Lord Henry says the above passage, he says that suffering is too ugly for him, and that he prefers to live to enjoy life's beauties. In having these views, Lord Henry is quite mistaken. Wherever he goes, there will always be the ugliness of poverty and disease and starvation. If he wants to truly live a life where he does not have to see any ugliness, he should contribute to help exorcise it while he has money. Otherwise, visions of the ugly will continue to stand out as he sees them, and will meddle with his contentedness.

2.) "'Humanity takes itself too seriously. It is the world's original sin. If the caveman had known how to laugh, History would have been different'" (43-44).

This quote is a continuation of Lord Henry's views. His aunt said that it was the responsibility of the wealthy to contribute some of their money for the betterment of society. The above quote was Lord Henry's response. He is basically saying that people burden themselves more than they need to and are making themselves feel responsible for things they did not cause. That is a rather liberal view to take, since he is saying that the problems of society lay in how the cavemen dealt with them. Yet, Lord Henry is missing the boat once again. In their time, cavemen did not have these kinds of problems such as poverty, disease, or starvation. They did not mind such things, anyway, since they lived their lives trying to provide for themselves. Though they promoted the "survival of the fittest" way of life that would eventually cause the problems of the future, the cavemen had no control over it. They did not have the intelligence to see into the future to see what their actions mat amount to in the long run either.

Tuesday, January 27, 2009

To Page 33

1.) sallow - (adj.) of a sickly, yellowish color (dictionary.com)

"You will become sallow, and hollow-cheeked, and dull-eyed" (Wilde 24).

2.) panegyric - (n.) a lofty oration or writing in praise of a person or thing; eulogy (dictionary.com)

"Then had come Lord Henry Wotton with his strange panegyric on youth, his terrible warning of its brevity" (27).

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1.) "'Yes,' continued Lord Henry 'that is one of the great secrets of life - to cure the soul by means of the senses, and the senses by means of the soul. You are a wonderful creation. You know more than you think you know, just as you know less than you want to know'" (23).

This quote comes in at the part when Dorian and Lord Henry are in the garden. This quote was said after Dorian Gray said that the only thing to cure the soul was the senses. this is Lord Henry's response, and he is telling Dorian to live his life at the fullest while he can, while he is still beautiful. Lord Henry encourages Dorian to live a hedonistic life, because he will not be subjected to as much pleasure when he is older and not as good looking. This relates to the theme of beauty, since Lord Henry is make it seem as if it is above all else. Dorian and the others can only he truly happy if he is living his live to the fullest. That is because he will be able to know that everyone thinks well of him, since all they see of him is the charm he radiates.

2.) "'I am jealous of everything whose beauty does not die. I am jealous of the portrait you have painted of me'" (29).

This quote comes in when the portrait of Dorian is completed. It seems as if Dorian took in what Lord Henry stated in the above quote. In this quote, Dorian realizes that he is to enjoy his live while he can, since he will not always look as he does in the painting. After Dorian says the above piece, Basil offers to destroy the painting, since he does not want it to disrupt their friendship. Dorian says that would not be necessary, since it took so much work to complete. Also, Dorian's response relates to Wilde's own view of art, "All art is quite useless" (2). At the time, art was seen as the very best of life captured on canvas. Dorian shares WIlde's character in that way, since they both denounce art. This also reveals a possible coorelation between Wilde and Dorian in fate, since Lord Henry was considered a bad influence by Basil, and he might go on to do similar things to what Wilde did in his own life.

Monday, January 26, 2009

To Page 16

1.) tremulous - (adj.) characterized by trembling, as from fear, nervousness, or weakness (dictionary.com)
"whose tremulous branches seemed hardly able to bear the burden [...] the sense of swiftness and motion" ( Wilde 3).

2.) truculent - (adj.) fierce; cruel; savagely brutal (dictionary.com)
"I remember her bringing me up to a truculent and red-faced old gentleman covered all over with orders and ribbons [...] the most astounding details" (9).
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1.) "But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself a mode of exaggeration, and destroys the harmony of any face" (5).

Basil says the above quote as Lord Henry is trying to get him to put his picture of Dorian Gray on display. As Lord Henry reasons, Basil says the above quote, and then mentions that he would not display the picture since he put so much of himself into it. This quote relates the the theme of beauty. Beauty is a condition that appeals to the senses in a positive way, while Basil makes it seem that intellect is the exact opposite of beauty. This is because Lord Henry's attempts to reason with Basil does not ring correctly with that Basil Believes he should do. it is Basil's painting, so he can display it if he feels it necessary. If the painting is really that beautiful, maybe Basil does not want to display it so that he always has it to gaze at when he needs to.

Why should beauty be seen as the pinnacle of society? What could this mean for those who are not beautiful?

2.) "I like persons better than principles, and I like persons with no principles better than anything else in the world" (11)

This quote also relates to the theme of beauty. When Lord Henry says the above quote, he is at the point where he requests that Basil tells of who Dorian Gray is. Lord Henry says the above quote, as if to state that he did not care who Dorian Gray was as a person, he just wanted to know about him. One thing that Lord Henry can see is that Dorian Gray is good looking. As with anyone, such a trait would ring positively with anyone. Yet, the rest of Dorian Gray remains a mystery to Lord Henry. He craves to learn more, and encourages Basil to describe him by saying that he will leave Dorian Gray open to interpretation, and will accept him, even if he has only done what is wrong.

Why would someone look for the wrong in anyone else?

Friday, January 16, 2009

Scarlet Letter Essay

Andrew Goncalves
AP English – Mr. George
1/12/09
Scarlet Letter Essay
Sin and Redemption
From the outset, the fate of Arthur Dimmesdale was to hang from the gallows, with his weight bearing down on his neck. As an adulterer, Dimmesdale was entitled to such a fate, and he was aware of this. Dimmesdale resorted to internally bearing his sin, since he knew that death would be his immediate fate should his secret act of adultery leak. Failure to reach heaven was inevitable, if Dimmesdale did not make amends, with God, himself, and his society.
Dimmesdale, like any human being, possessed a capacity for sin. Yet, his expression of that sin and his search for redemption was quite unique, since his life was at stake. He attempted to conceal his sin as best he could, to little avail. Having done this for seven years, he endured a roller coaster ride of emotions. In the words of Shakespeare from his play, “Measure for Measure,” “Some rise by sin, and some by virtue fall” (Shakespeare 2.1.). Dimmesdale is viewed by the people as high and mighty, but sulks when he looks to his virtuous side that screams for the admittance of his sinful deed. Dimmesdale sentenced himself to self-torture and was also indirectly punished by a fellow doctor known as Chillingworth. Dimmesdale’s punishment was especially poignant in his case, since he committed the sin of adultery; he felt remorse for his actions, and because he ultimately perceived his condition to be a blessing from God himself.
Dimmesdale’s punishment was fitting since he committed the grave sin of adultery. The sin of adultery was punishable by death at the time: “a penalty, which, in our days, would infer a degree of mocking infamy and ridicule, might then be invested with almost as stern a dignity as the punishment of death itself” (Hawthorne 47). Unfortunately for Dimmesdale, his youth and high position made him more susceptible to this kind of temptation. Choosing to bear his sin in secret took a tough toll on Dimmesdale’s emotions. Dimmesdale would constantly place his hand over his heart, when speaking of personal matters.
Dimmesdale’s daughter, Pearl, also served as a constant reminder of his actions. The narrator constantly described her as being “of demon origin,” (91) which is true, since she was conceived by the wayward sin of adultery. Pearl is comfortable around Hester because she was raised by her. While around Dimmesdale, she is distrusting: “‘What a strange, sad man is he!’ […] ‘In the dark night-time he calls us to him, and holds thy hand and mine, as when we stood with him on the scaffold yonder. And in the deep forest, where only the old trees can hear, and the strip of sky see it, he talks with thee, sitting on a heap of moss!’” (205). Pearl was able to figure out that there was something odd about Dimmesdale’s disposition, for he always avoided contact with her in public. Pearl was not alone in her discovery.
Dimmesdale sought to keep his sin away from the eyes of his parishioners, yet, there would always be someone who knew. Roger Chillingworth, Hester’s original husband and a comrade of Dimmesdale, was also aware that he was hiding something within. When Chillingworth initially discovered that Hester had cheated on him, he called for immediate action to be taken, revenge: “‘I shall seek this man, as I have sought truth in books; as I have sought gold in alchemy. There is a sympathy that will make me conscious of him. I shall see him tremble. I shall feel myself shudder, suddenly and unawares. Sooner or later, he must needs be mine!’” (70). Chillingworth eventually discovered that Dimmesdale was the guilty one, after relentless interrogation. The physician then began to constantly torment him. Chillingworth claimed numerous times that Dimmesdale would not be admitted into heaven upon his death because of his sin.
The argument between Chillingworth and Dimmesdale about weeds in the graveyard was noteworthy. One day, Chillingworth observed weeds growing out of a grave, and said, “‘Wherefore not; since all the powers of nature call so earnestly for the confession of sin, that these black weeds have sprung up out of a buried heart, to make manifest an outspoken crime?’” (119). This is an example of the kind of torture Chillingworth delivered to Dimmesdale. Chillingworth professed a diatribe against Dimmesdale. Dimmesdale feared that his grave would be consumed by weeds because of his sin, which added to his mounting depression.
Dimmesdale attempted to hide himself and his shameful actions, but he was not safe so long as Chillingworth kept tabs on the minister. Sometimes, Dimmesdale sought refuge simply by being alone, inflicting physical pain on himself to tame the deeper pangs within. Hester and Dimmesdale met in the dark, shady forest occasionally, giving them a sense of privacy. Dimmesdale and Hester conversed about their lives and planned to escape to Europe later on. However, Dimmesdale’s failure to bear his sin and his decision to live forever with the woman he committed adultery, nagged at him:
“The wretched minister! He had made a bargain very like it! Tempted by a dream of happiness, he had yielded himself, with deliberate choice, as he had never done before, to what he knew was deadly sin. And the infectious poison of that sin had been thus rapidly diffused throughout his moral system” (199).
The regrets ran high, and so did the magnitude of the act. Dimmesdale was forever doomed for having committed the capital crime of adultery, even if he attempted to make amends. This is because he would be with the woman who led him to sin in the first place, and she might lead him to sin further.
Dimmesdale was constantly described as deteriorating physically: “A bodily disease, which we look upon as whole and entire within itself, may, after all, be but a symptom of some ailment in the spiritual part” (124). This change is symbolic of the toll taken on his body by his decision to remain silent about his sin. Dimmesdale became older, uglier, and more devilish as he concealed his sin. When Dimmesdale decided to leave Boston with Hester and Pearl, his physique improved with his attempt to escape his sins. However, consequences arose with new temptations to preach foul words to children. This is because he feels regret that he is going to continue living with the woman whom he was led to sin with.
Dimmesdale’s punishment of everlasting guilt was a weighty burden, yet it doubled as a source of reconciliation. Dimmesdale was even sorrier for committing adultery since he was supposed to be an example to others. He feared that the clergy would find it appropriate to sin as he did, for he was a representative of God. Dimmesdale sought his deliverance feverishly; however, openly admitting his sin to the masses came along with major repercussions. Therefore, he chose to conceal his sin. Dimmesdale was forced to reveal his secret in the end, for his depression was agonizing.
Dimmesdale is a dim character, as inscribed in his name. He regrets his act of adultery and his decision to conceal it. However, how might he receive any consolation so as to be emancipated if he is not willing to receive such consolation? Seeing Hester publicly bear her sin made him feel doubly guilty. At one point, the people accepted Hester, and the meaning of the “A” on her bosom was viewed as able. Dimmesdale felt as if he exploited Hester, and that he missed out on his chance for salvation. He felt that if he publicly bore his sin now, he would be subjugated to the wrath of a hollow hell. Yet, the suffering Dimmesdale endured as he held onto his guilt made him feel as if he was being punished justly. Hester and Dimmesdale decided to take the easy way out, by leaving Boston entirely. Dimmesdale approves of this idea, since it may help to relieve his aching body: “The excitement of Mr. Dimmesdale's feelings, as he returned from his interview with Hester, lent him unaccustomed physical energy, and hurried him townward at a rapid pace” (194). Dimmesdale would have been devastated if he had known that the diligent Chillingworth discovered his plan. Chillingworth knew that his victim was escaping, so the physician decided to embark on the same journey as Hester and Dimmesdale. The shipmaster willingly accepted Chillingworth, because doctors were needed, “‘Why, know you not,’ cried the shipmaster, ‘that this physician here - Chillingworth, he calls himself - is minded to try my cabin-fare with you? Ay, ay, you must have known it; for he tells me he is of your party, and a close friend to the gentleman you spoke of, - he that is in peril from these sour old Puritan rulers!’” (210). Dimmesdale had no escape. He was left with only one option to oust Chillingworth, and that was to confess his sin and face the wrath of his clergy.
Dimmesdale felt he was fortunate to endure his punishment as he did. According to the principle of utility, silent emotional torture is significantly better than being hanged or burnt, since less lives are lost. Chillingworth leeched upon Dimmesdale, keeping the minister alive to prolong his torture. Hawthorne makes this clear when he points out that “The victim was forever on the rack; it needed only to know the spring that controlled the engine; and the physician knew it well!” (127).
Dimmesdale was also at an emotional loss. Dimmesdale eventually realized that he could quickly relieve himself of the burden by admitting his sin. On the night that Dimmesdale delivered his election sermon, he stood on the scaffold with Hester, as he proclaiming:
“‘ye, that have loved me! - ye, that have deemed me holy! - behold me here, the one sinner of the world! At last - at last! - I stand upon the spot where, seven years since, I should have stood; here, with this woman, whose arm, more than the little strength wherewith I have crept hitherward, sustains me, at this dreadful moment, from grovelling[sic] down upon my face’” (227).
Dimmesdale blew the crowd away. The entire time, it was Dimmesdale, their trusted minister, who was the guilty one. Dimmesdale’s admittance to adultery allowed him to achieve his redemption. Shortly after he made his confession, Dimmesdale breathed his last and died.
In his confession, Dimmesdale’s life is complete. His timely death means but one thing, he was blessed by God. In his confession, God once again accepted Dimmesdale as a person, and did this by taking his soul up to heaven. No longer could he be plagued with the shame he faced on earth. Chillingworth’s torment was a blessing to Dimmesdale, for it led him to heaven. The physician helped to relieve the strain that the minister felt, in some sense. Even if Dimmesdale lived for ten more years, after his death, he would have all of eternity to live as care-free as he wished.
Dimmesdale was a sinner. He willingly committed the sin of adultery, a decisive action that would dictate the pain in which he endured the following seven years. As Dimmesdale’s hand loomed over his heart, he was expressing the pain that he felt within. Yet, he was really experiencing an equilibrium between sin and redemption. Dimmesdale felt badly, and decided to atone by beating himself at first. Afterwards, he decided to do it by letting go of his secret, and telling it freely to his clergy. As the plot unfolded, Shakespeare’s words took on new meaning. Dimmesdale rose up by his unexposed sin, and the clergy accepted him by his external self. On the inside, Dimmesdale was humbled by his sin, for he was not following God’s example. That is how Dimmesdale was blessed by his punishment, and how such a punishment was just.

Works Cited
Thinkexist. 12 January 2009. Thinkexist. 13 January 2009.
Hawthorne, Nathaniel. The Scarlet Letter. New York: Bantam Dell, 2003.

Monday, January 5, 2009

To Page 235

1). Tumult- (n.) violent and noisy commotion or disturbance of a crowd or mob; uproar (dictionary.com)

"Then ensued a murmur and half-hushed tumult; as if the auditors, released from the high spell that had transported them into the region of another's mind, were returning into themselves, with all their awe and wonder still heavy on them"(221).

2). Bequeath- (v.) Law To leave or give (personal property) by will (dictionary.com)

"Leaving this discussion apart, we have a matter of business to communicate to the reader. At old Roger Chillingworth's decease(which took place within the year), and by his last will and testament, of which Governor Bellingham and the Reverend Mr.
Wilson were executors, he bequeathed a very considerable amount of property, both here and in England, to little Pearl, the daughter of Hester Prynne"(232).